Saw 3D [ Movie Review ] ***

In the 7th installment, there's basically two stories going on at the same time. The main story would be on Bobby Dagen, a man who claimed that he is a JigSaw game survivor and learned to embrace his life more after the traumatic experience. His book made him famous and he started reaching out to the other survivors. Obviously that didn't please Jigsaw and soon, Bobby Dagen found himself "back" in the games. This time, it's a series of games which he must accomplish to save his colleagues and his wife.

Meanwhile, Jill Tuck (Jigsaw's ex wife) is trying to escape from the latest Jigsaw killer. After the incident in the previous movie, she seeks help from the police and the Jigsaw is trying to find ways to kill her. The thing is that his identity had been revealed to the police and he could no longer use the perks of being a police detective to achieve his mission as Jigsaw.

The thing about this installment would be that it's a last ditch effort to regain the high turnover at the box office as the previous five movies did. To entice the audience, the filmmakers are throwing in the 3D gimmick and removing the 7th from the movie title, hopping that unsuspecting folks might just get the tickets without knowing that there's a long history.

Bad news for those unsuspecting folks cause the whole Jill Tuck's story arc is somewhat rooted in what went on during the first 6 movies subplots. To understand why the latest Jigsaw is so hellbent on killing Jill Tuck, you need to know what happened in the climatic finale of Saw 6. Then there's the return of Dr Gordon, a character from the 1st Saw movie that had not appeared since then.

Fans of this series might be disappointed too. The return of Dr Gordon felt like an awkward insertion to the storyline. Not much is done on the part that he play in this franchise except the possibilities of expanding this series further with the involvement of this character. If fans had embrace the previous retcon (Retoactive Continuity) as a mean to deepen the series mythos, the retcon of Dr Gordon just felt rather repetitive and tedious.

Similarly Bobby Dagen's journey felt like what happened with the main "victim" of Saw 6 and Saw 3. One solo guy going through a series of sadistic tests to save others who are trapped in deadly contraption. It's all been done before and in more interesting fashion.

If this is the final chapter to the Saw franchise, then the series had ended not with a bang but a whimper.  There are still some open threads ways that would allow another sequel to be made but it would take a movie with a calibre of the 6th movie to make the Saw franchise interesting again.

Ironically the director of Saw 3D is the same as Saw 6. It just make one wonder how did he did such a bland job out of it. Perhaps he is still unhappy about being pulled off from Paranormal Activities 2 to direct this movie. Or perhaps the 3D technology took time away from crafting a stronger story (refer to Saw 6). Or even perhaps the script was that weak that the director couldn't do much to savage it. There might be hope that a Saw VIII might give the Saw franchise a proper finale but given the poor box office collection, that unlikely to happen. It's just a pity that the series would end with such an average installment.

Was it worth the 3D price?

There's some gimmicky 3D tricks of having some body parts and blood flying towards the audience. It was more comical than gruesome. The depth of field is nothing worth mentioning and watching this movie without the 3D gimmick would have been better. In fact  Instead of making it 3D, more effort could have spent on making this one heck of a finale. Save that extra 3 bucks.

Go Find a Psychic! | 曲がれ！スプーン [ Movie Review ] *** 1/2

Go find a psychic is literally about a lady quest for a real psychic. Yone Sakurai (Masami Nagasawa)  happened to work in a television program about people with psychic ability and most of them turned out to be fake wannabes seeking their 15 minutes of fame. While her colleagues are probably just concerned about program ratings, she is one individual with a strong conviction on the mysterious and unexplained phenomena.  Her boss used her strong conviction and sent her on a trip all over Japan to find a real psychic (or phenomenon).

Meanwhile, in a cafe, a group of individual with different psychic abilities gathered for a small private party. Unlike the fake wannabes, this group of people with real special capabilities want nothing to do with the media, specially the psychic program show that Yone Sakurai works for. Their party was crashed by a wannabe and the enthusiastic group of special folks unwittingly revealed their power to the wannabe.

While the special psychics are trying hard to protect their secrets, Yone Sakurai entered the cafe to interview this wannabe. To escalate events, one of psychic with X Ray vision discovers that there's a poisonous spider (from the previous wannabe) in her name card holder. In order to save her, the psychics took turns with their special abilities to remove the name card holder from her pocket.

That the whole crux of this movie. Will they be able to help her without revealing their secrets?

On the whole, Go Find a Psychic! has a Japanese Christmas telemovie / television series feel to it. The camera work, the events, the actors's performance and even the gags weren't spectacularly cinematic. However it brought up a good point on what people will do if they have special powers. It was also rather amusing to see how these psychics draw the line on what they would use their power for and the limits of their power.

Moreover it also instill the belief of holding onto one's faith no matter how strange they might be. That and the Santa gag made this movie seemed just right for the Christmas season.

TRON: Legacy [ Movie Review ] ***

After 28 years, the sequel to the cult favorite TRON is finally making it's way to the screens. Like all computer programs, it's getting a makeover with an update on the visual and special effects. But can TRON: Legacy change the track record of the previous TRON's box office collection and attracts both the old and new fans? Can it modify the story into something more accessible for the casual viewers to appreciate or even make the story better than it's predecessor?

This time round, TRON Legacy is basically about a son's search for his dad in the digital world of the Grid. Kevin Flynn (Jeff Bridges), the hero from the original TRON had suddenly gone missing. "Abandoning" his son Sam (Garrett Hedlund) for many years, the story starts when his friend Alan Bradley (Bruce Boxleitner) suddenly received a page from Flynn's Arcade that had been closed for years. Initially reluctant, Sam finally visited the abandoned arcade to investigate the source of the page. After fiddling around with arcade games, Sam discovered a secret passage to his dad's workplace and accidentally activated the teleporter that digitize / teleport him into the Grid.

Upon arrival, Sam was quickly captured and sent to play the deadly games. Using his survival skills, wits and an unexpected aid from a pretty warrior (Olivia Wilde), Sam managed to escape the games and is reunited with his dad. It turned out that this time round, its' Kevin's program CLU ( a younger Jeff Bridge ~ the power of movie magic) that's up to no good. Entrapping Sam and keeping Kevin stranded in the digital world, CLU is planning to use the trapped father and son to carry his sinister plan.

Without a doubt, the biggest draw for Tron Legacy would be the update on the visual feast (special effects and costume / set design) and Draft Punk's contribution to the movie soundtrack. The blazing disc war and lightcycles were constructed to wow. It's well worth the ticket money to see how the world of Tron has been stylishly fabricated for the 21st century.

Another unexpected highlight would be how Tron Legacy play up the reunion between father and son.   The setup for the separation between Sam and Kevin didn't feel like a tedious wait before the good time (in the Grid) could start rolling. In fact, it was well handled and well acted by the duo that the audience could relate to their longing for each other without the need of overdoing it.

Dude, I'm not your Father

Tron Legacy pays plenty of homage to the original flick. From reusing the CLU character as the main villain to Sam making the similar remark as his dad did to a very big door, this movie is filled with nods to what had came before. But after a while, it started to feel more like a reboot than an actual sequel.

Such as the obligatory disc war, lightcycles, escaping from the Grid and the restarting the source were the very same path that Kevin had taken in the original TRON. Although various elements had changed, it make one wonder why doesn't TRON Legacy branch out more as a story of it's own.

Even the flawed story in the first TRON didn't get much update in the second TRON movie. While the first one was rather inaccessible to the casual viewers, the second one had a storyline that's too convenient. Just when our heroes are clueless on what to do next, a Solar Sailer appears right beside them to take them where the story wants them to be. It also mind boggling to know that Sam arrival into the Grid was a trap by CLU and yet Sam had to go through dangerous games that could end his life. If CLU was being a wise tactician, the script certainly didn't make that aspect shine.

With a tagline that declared The Game Has Changed, it make one wonder did the sequel really change much from what had already been established in the first movie. Beside the change in players / user, a little modification here and there, Tron Legacy is basically a rehash of prominent events that occurred in the original film. It's pretty to look at but without a good story, TRON Legacy ends up looking like a beautiful vase.


Worth the 3D price?

Like many other recent blockbuster movies, TRON: Legacy is presented in 3D. The only thing I could get out of this 3D presentation was the depth of field and the diminishing gradient. It's a pity as it marred my enjoyment of watching all the impressive visual and special effects in their full glory.

Confessions 告白 [ Movie Review ] ****

Every once in a while, a truly disturbing movie comes our way and stayed etched in the minds long after the end credits roll off. Similar to Battle Royale, Confessions used an extreme scenario to highlight and reflect certain issues in our society (or at least perhaps in the Japanese society). It's tense, dark and unflinching movie that grip hold of you tightly right from the start. It also used an innovative flashbacks method to tell the story.  Last but not least, the beautiful cinematography creates just the right type of moody setting and it was nothing less than a visual treat.

But the most satisfying bit about Confessions would be how it dealt with the effective ways of punishing someone who is truly apathetic to his wrongdoing and almost everything else in the world.

Confessions started with a middle school teacher Yoko Moriguchi (Takako Matsu) and her rowdy students. She informed them that her teaching life is coming to an end as her four year old daughter had died from a pool accident. After doing some investigation, she had discovered that her daughter was murdered by two of her students. Identifying them only as student A and student B, Moriguchi revealed that even after learning the shocking truth, she won't be going to the police as due to their age, student A and student B won't be prosecuted by the criminal law. Through the teacher's detailed recounting of what had transpired, the class managed to guess the identity of Student A and B. In a eerily calm and collected manner, she ended her class by informing the class that among the packs of milk that the class had just drank, she had tainted two of them with blood containing HIV.

Usually, such unexpected and surprising revelation would be reserved till the end of a vengeance movie and used as a climax twist or punch to the revenge tale. But in Confessions, this is just an intense wrap up for the introduction arc.

The class started to dish out their brand of punishment on Student A and B. While Student A managed to endure the nightmarish bullying, Student B went crazy and stayed away from school. On the surface, it seemed that the two kids had received their punishment for their atrocities but as the story slowly revealed more shocking truth behind the initial revelation. From the confessions of the class rep, student A and B, we discovered their thought process and the actual motivation behind the horrible murder. It's just bone chilling to learn what the kids truly felt about the whole incident and they are so wrapped up in their own selfish thinkings.

Besides the dynamic tension between the teacher and the students, the film also explored the issues between a child and their mother. On one hand, it cover how the lack of motherly love could fractured a child's growth and on the other hand, it also show how smothering one child could be equally damaging. It's on the extreme bits but somehow these scenarios are heart wrenching to watch.

Beyond the Movie

• Confessions 告白 is Japan's candidate for the upcoming Oscar Best Foreign Language Film.
• Was Top of Japan Box Office for 4 weeks in a row.
• Confessions 告白 made it through the 1st Oscar Best Foreign Language Film nomination round. ( as of 20th Jan 2011)
• Confessions 告白 is now officially out of the race for Oscar Best Foreign Language Film (as of 26th Jan 2011)

• Confessions 告白 won 4 awards at the 34th Japan Academy (as of 18th Feb 2011)
• Picture of the Year: Kokuhaku
• Director of the Year: Tetsuya Nakashima
• Screenplay of the Year: Tetsuya Nakashima
• Outstanding Achievement in Film Editing: Yoshiyuki Koike

The Haunted House Project | 폐가 [ Movie Review ] **

Blair Witch Project ~ Kimchi Style

The Haunted "Insert you choice of residence" movie is a popular horror film choice. Especially in Asia film industry where you can easily find a handful movies that use their location as the horror device. Needless to say, it's already a very overdone horror genre. In order to "differentiate " itself from it's Asian peers, The Haunted House Project took the Blair Witch Project way.

Ironically it does not "differentiate" itself too much from the Shaky Cam genre that The Blair Witch Project had established many many years ago.

Like many Shaky Cam horror genre, there will the initial setup of how a tape was found from a haunted venue and we are viewing what had happened horribly to some folks with a videocam. In The Haunted House Project, we get a group of six (a producer, a cameraman, a sound woman and three members from a Korean paranormal online club) investigating the haunting of one infamous location.

Rumor has it that this haunted premise has a horrible past. A successful businessman was caught having affair and it was said that the wife killed her husband lover. Dumping her in a pool nearby their factory, the ghost of the lover came back to massacre the couple and their kids. Ever since then, residents had reported weird sightings at that location. Authorities tried unsuccessfully to clear the pool. The place remained unsold and avoided until this group of six decided to venture in for some spooky adventure.

The problem with this type of shaky cam horror movies would be that it has a very rigid structure to follow and it can get rather boring (not to mention un-cinematic to watch) if you have your fair share of shaky cam horror movies. Since we are watching a tape that found at the haunted house, it's quite obvious that no one will be making it out alive. The victims can't die too soon as the panic mode (or I call it the shaky ground / feet shots) will occur and viewers won't be able to see much. Therefore we get the introduction, the exploration and the occasion spooks (which would not result in any fatality) to fill up the bulk of the movie.

Another problem with a Shaky Cam film would be the aspect of incorporating realism of an actual documentary filming gone bad. It made a mistake of adding mosaic effects to cover up possibly  objectionable images. Now while you can do it with a editing software, I am pretty sure that up to today, there isn't one videocam that could mosaic certain portion of the film so nicely (as it did in the film).

But then again, it's not that bad. The "scare a min" tactic in this film was quite well done and timed to get the maximum spook from audience. The comeuppance for this intruders were fun to watch but it's too late and too short to make it more enjoyable. There were also a few eye candies in the cast that helped make following the major bulk of this movie less dreadful.

Perhaps it's a personal dislike for this type of movies making. Using realism as an excuse, it's a cheap way of making money. Just find a remote location, a bunch of unknown actors and some camera tricks, you get a cheaply made horror flick that could rake in lots of money. In today's youtube generation that are accustom to such video would probably have no problem with it or even embrace it. There will also be fans of horror genre and this type of filming that have no problems lapping this up. For me, the novelty factor of Shaky Cam had worn off since the Blair Witch Project and REC and should be put to rest soon (that is unless they managed to find some ways to break this mold).

Skyline [ Movie Review ] ***

In the midst of a potential lawsuit from Sony and a barrage of thumb downs from movie critics ( and other disgruntled movie viewers with a imdb account), Skyline has finally arrived. Going with low expectation, Skyline wasn't as bad as one would expect. It's not the best alien invasion flicks around but frankly Skyline wasn't that bad afterall.

Much like Cloverfield, we follow a bunch of young adults experiencing a sudden attack by unknown creatures in a city. We get a glimpse of their relationship matters, their future hopes and worries. Then out of the blue, they get a rude awakening that their lives are going to be changed drastically. In Skyline, it's the blue lights from outer spaceships sucking up humans by the thousands.

Instead of running around a city that's torn by monsters, the folks in a skyscraper apartment had the dilemma of choosing whether to escape from the building that they are in or stay put while trying to hide the constant alien abduction.

There's been complains about the lack of character development, the horrible dialogues, the storyline and the far-fetched ending. It's going to vary from one person viewpoint from another but personally, I find it hard to agree with most of the complains (found @ imdb).

Skyline is about a group of people stuck in a building. They are facing a sudden doomsday scenario and the movie is basically about them making decisions with little idea on what's going on. The movie did enough by presenting us with a little background information about this group of people and even though it's slightly one dimension, it was enough to proceed on with the story. To care or not to care for these characters are up to individual's preference and personally, while they are not going to be my favorite movie character, the function well enough to move the story forward.

Then there's the complains about the dialogues being cheesy, unoriginal and badly written. As again, Skyline is not trying to win award for scriptwriting. It's not deep or impressive but it does well to convey the sense of emotions that the characters are going through. One complain highlighted that the group actually said "run" when they were attacked by a big alien and I wonder why isn't it possible? It felt pretty real to me. When tentacles are zooming in to capture you and you are running for your safety, wouldn't you yell something to make your group move a little faster?

Last but not least, there's been complains about the storyline and the ending of Skyline. Most of the complains are aimed at how the folks are stuck in the apartment and the story going in circles (while showing off their special effects) that seems to be heading nowhere but the seemly inevitable doom. Personally, that's the point of Skyline. It's about a group of everyday people stuck in a situation that the odds seems to be overwhelmingly stacked against them. It put you in their shoes and make you consider what would you do if you are faced with such scenario. The prolongation of them stuck in the high-rise apartment works (beside obviously for the budget aspect) in ways that it helps to create the sense of dreariness and difficulties of leaving the safety zone. It also shows that in such dire and hopeless moments, humans would do it's utmost to stay alive.

The ending wasn't everyone's cup of tea. Some finds it comical while others find it downright silly. It's a little bit too convenient like Independence Day and it bears some resemblance to District 9 but in a gloomy film like Skyline, it offers a refreshing sense of hope for the characters. It also reveal the ambitious goals of the filmmakers who planned a series of films / tv projects from this movie. The odds are against them now since the box office collection didn't do that well and the response from the viewers are mostly unfavorable.

Let's put it this way, Skyline won't be a District 9 but that doesn't mean it's not entertaining. The thumb downs that it had been receiving felt unfair. The relatively unknown actors did well with a script that could use a bit of polishing. The special effects weren't that spectacular but with the budget of an independent filmmaker, it was impressive enough to pass as a major studio. Recommended.

Adele: Rise of the Mummy | Les Aventures Extraordinaires d'Adèle Blanc-Sec [ Movie Review ] ★★★

the Extraordinary Adventures and the Rise of the Mummy

The Singapore / Malaysia title for "The Extraordinary Adventures of Adèle Blanc-Sec" is rather misleading. Specially when you viewed the trailer (attached below), you might think that Adèle: Rise of the Mummy is one action packed Indiana Jones type of movies with the protagonist taking on mummified human corpses and pterosaurs. Going in with such expectation would probably result in disappointment. 

That's not to say that Adèle: Rise of the Mummy is a lousy movie. It not so much about the rising of Mummy but the extraordinary adventures of one rather feisty unrelenting and resourceful lady.

Set in Paris 1912,  A pterodactyl egg in the museum has been magically hatched through the mental power of Professor Esperandieu and is wreaking havoc in the city. News of this occurrence became the newspaper headlines and the authorities are "pressured" to solve this case soon.

In the meanwhile, Adèle Blanc-Sec (Louise Bourgoin) is "raiding tomb" in Egypt like a female counterpart of Indiana Jones (more dainty but equally venturesome). She is seeking a mummified Pharaoh's doctor to cure her sister. To complete her quest. she required Professor Esperandieu'e supernatural gift and upon returning to France, she found out that he is mystically linked to the pterodactyl and has been sentenced to death for his involvement. The relentless Adèle then set off to rescue the Professor before it's too late for her sister.

The Extraordinary Adventures of Adèle Blanc-Sec is so whimsically imaginative that it's hard to guess what going to happen next (nor would you want to). One moment, it's poking fun of police incompetence and the next, it's mystifying with weird occult-like science. Just when you think you get what this show is about, it breaks into action sequences like an Indiana Jones movie or delve into sappy romance.

It's not going to fit into the mold of your usual Mummy movies. It's a mix of Amelie and the Fifth Element. Splendid entertainment with rich imagination and attitude that should sit well with folks that are looking for something unusual. Recommended.


Beyond the Movie

There are some warnings that you should heed before getting your ticket(s) for this movie in Singapore. Most theaters are showing it in English dubbing (with Chinese subtitles). Those folks who did the dubbing did make some effort to convey the emotions of the characters but ultimately, it's just not the right way to watch a movie. The dubbing does not even match the lip movements of the actor and it felt that the soul of the characters had somehow been robbed.

But thankfully, the distributor had decided to bring a print of Adele: Rise of the Mummy in it's original language and the only place you can catch it in French (with English subtitles) would be at The Cathay Cineplex (the one at Handy Road). For your ultimate enjoyment of this movie, I would recommend you to catch it at The Cathay.

Last but not least, we managed to spot one scene that was awkwardly cut from the movie. It happened to be one of the stills that was featured on the official website. Don't seemed too raunchy to me but I guess it might incur a highly censorship rating if left intact. Anyway gawk at it while you can.

You won't be seeing me smoking in a tub in Singapore Cinema

Oh wait. There's a coda inserted at the End Credits. So don't rush out once the credits start rolling.

Movie: ***

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